From the examples on Santiago's website, what stood out to me were the two Disney ones. It was cool seeing Steamboat Willy and then the Skeleton Dance, and how over time these cartoons were becoming increasingly complex. Steamboat Willy was just pretty much your basic black and white cartoon, while Skeleton Dance really worked on having all shades in between, and incorporated a lot of grey in there. It was a lot more detailed than Steamboat Willy.
The same can be said for the Felix cartoons, the first one was definitely more simple than the Halloween episode, which had a lot more use of shading and design work.
From the Norman McLaren examples, I liked Blinkity Blank, even though it was kind of hard to focus on it because the images did not stay on screen long enough. It was still visually really interesting, and the audio that went with it reminded me at certain points of this horror movie called Sinister.
The sledgehammer video was cool but his face expressions made me uncomfortable. I can't imagine how many hours it took the artists behind MUTO to make all of those individual wall paintings. It's kind of cool to see how you can transform any surface into art. The Brothers Quay example was very creepy, but incredibly creative. The Let Go video reminds me of the video for Do I Wanna Know, by Arctic Monkeys.
I think the most visual appealing ones are the graffiti stop motion video and the music video with the colored pencils. I think the stop motion sculpture could have been more appealing had it used more color, like the other examples I mentioned did.
I can't believe it took two years to do that music video with the candy. That is some hardcore dedication.
I actually follow someone on Instagram who uses a lot of stereoscopy, so I recognized that pretty easily.
Nothing was showing on the page that was linked under Dis 1.
Sunday, November 19, 2017
Thursday, November 16, 2017
Animation Practice
This is my first try at animation with Photoshop. I colored in parts of a black and white photo of Lil Kim, a female rapper, and sped up the timeline.
Wednesday, November 15, 2017
Autoscopy Project
Not sure why this page is formatted this way, but the images are in order of quality, from 0% to 25% to 50%, 75% and then 100%. The original image is of several family members slaughtering a pig (I'm Colombian; sometimes for special events we prepare a pig for a meal called lechona). I photoshopped a picture of myself in a bikini being gutted open by two men with the Instagram and Facebook logo covering their heads. My autoscopy is supposed to represent how vulnerable I sometimes feel about social media. M biggest insecurity has always been about how I look, and sometimes putting myself out there on my Instagram and other social media accounts makes me self-conscious because I'm inviting other people to come look at me, criticize me, make fun of me, point out my flaws, etc. The best way to put it is that I feel like a piece of meat just waiting to be picked apart.
Wednesday, November 8, 2017
Photoshop Project
I struggled with the lighting in this one. The image of me running has three layers; the original, one where I painted over the shadows with both yellow and white paint and then made very opaque so it would lighten the shadows, and then the last layer where I played with the curve tool under image-adjustments, but I could not seem to make it lighten all over.
This was the original. I've come a long way, right? Haha.
Here's another practice at photoshop. My monster selfie definitely shows how much I've improved, as all I used to do in the beginning was stretch out images.
Thursday, November 2, 2017
Binary Code Translation of my name
01000100 01100001 01101110 01101001 01100101 01101100 01100001 00100000 01000101 01110011 01110000 01101001 01101110 01101111 01110011 01100001
This following sequence is my name in binary code: Daniela Espinosa.
This following sequence is my name in binary code: Daniela Espinosa.
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